THE CHILDREN'S BOOK ACADEMY

Three Scary Stories for Halloween

10/19/2020

by Bryan Patrick Avery

Well, it’s October and that means magicians all over are figuring out how to add something suspenseful or scary to their routines, just in time for Halloween. Authors are doing the same thing as well. This month let’s take a look at three scary stories readers will love to curl up with this Halloween season.

DESMOND COLE GHOST PATROL: THE HAUNTED HOUSE NEXT DOOR is the first book in a chapter book series written by Andres Miedoso and illustrated Victor Rivas. The main character, also names Andres Miedoso moves into a new house next door to a kid name Desmond Cole. Desmond is just a little too odd for Andres’ tastes. Andres spends his early days in the house avoiding Desmond (it’s much harder than it sounds). He finally turns to Desmond for help when he discovers that there is ghost living in his house. Lucky for Andres, Desmond is the local ghost hunter and is more than happy to help.

Like most chapter books, this one is heavy on humor (don’t eat the lasagna) and light on the frights. Kids won’t lose sleep over this one but should really enjoy it. If you’re interested in writing about ghosts in a chapter book, this is a great example of how to write a scary story for this age group.

Those who know me, know I love mysteries. I also really like stories about the supernatural. I found the perfect mix of mystery and ghost stories in Fleur Bradley’s MIDNIGHT AT THE BARCLAY HOTEL, illustrated by Xavier Bonet. JJ Jacobson is an amateur ghost hunter. When his mother receives an invitation to stay at the very haunted Barclay Hotel for the weekend, JJ convinces his mother to go and take him along.

Not long after they arrive, the guests discover the hotel owner has been murdered and the guests are the suspects. JJ enlists the help of his two new friends to solve the mystery and clear his mother’s his mother’s name. With any luck, he might even get some ghost hunting in as well.

MIDNIGHT AT THE BARCLAY HOTEL is an entertaining mix of humor and mystery and is perfect for anybody looking for a great example of a middle grade mystery.

For the youngest readers, check out the picture book, CREEPY CARROTS. Written by Aaron Reynolds and illustrated by Peter Brown, CREEPY CARROTS is the story of Jasper. Jasper loves carrots. He plucks them from the local carrot patch whenever he can. Then, one day, Jasper starts to feel like the carrots are following him. He sees carrots in his room, carrots in the closet, and even in the bathroom.

CREEPY CARROTS is an entertaining story that ratchets up the tension with both suspense and humor. The twist ending is fabulous and will keep readers coming back to the book again and again. If you’re looking for an example of a scary/fun picture book for young readers, check out CREEPY CARROTS.

Well, that’s all for this month. Have a terrific (and safe) Halloween. Happy writing and have a magical month.

Bryan Patrick Avery discovered a love of magic and mystery at the age of four, after receiving a magic set and his first Bobbsey Twins Mystery book. Today, he is an award-winning poet and author, and a member of the Society of Children’s Book Writers and Illustrators and the Mystery Writers of America. He's also a life member of the Society of American Magicians (which was once led by Harry Houdini) and charter member of the International Association of Black Magical Artists. Bryan's greatest joy is making stories appear out of thin air.

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IT’S ALL ABOUT . . . AUTUMN WRITING PROMPTS

10/12/2020

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by Melissa Stoller

In my corner of the world, leaves are turning colors and the breeze is cooler. Autumn is a time of year filled with sights, smells, and tastes all its own.

Here are some autumn writing prompts to help spark your imagination:

1. TREES – notice the trees outside your window, in a magazine, or online. Think about the leaves - color, texture, shapes. What animals inhabit the tree or its surroundings? What would it feel like to incorporate a tree, leaf, or animal into a story?

2. FALL HARVEST – can you smell and taste apples, pumpkins, or cinnamon? What fall foods of childhood, or of your current life, prompt story ideas? Look through old photos featuring family feasts and sprinkle some food memories into your current manuscript.

3. PEOPLE – which people do you associate with most in the fall? Of course, Fall 2020 is unlike any other. Call up memories of past visits. Conjure people you would like to see now. Imagine fall scenarios and pick one to include in a story.

I hope these tips for using your senses and the fall season to heighten your manuscripts is helpful. Let me know in the comments. Cheers to Autumn and to creativity.

BIO:

Melissa Stoller is the author of the chapter book series The Enchanted Snow Globe Collection - Return to Coney Island and The Liberty Bell Train Ride (Clear Fork Publishing, 2017 and 2021); and the picture books Scarlet’s Magic Paintbrush and Ready, Set, GOrilla! (Clear Fork, Fall 2018). Upcoming books include Sadie’s Shabbat Stories and Return of the Magic Paintbrush (CFP). Melissa is a Blogger and Assistant for the Children’s Book Academy, a Regional Ambassador for The Chapter Book Challenge, a Moderator for the Debut Picture Book Study Group, a volunteer with SCBWI/MetroNY, and a founding member of The Book Meshuggenahs. In other chapters of her life, Melissa has worked as a lawyer, legal writing instructor, freelance writer and editor, and early childhood educator. She lives in New York City with her family, and enjoys theatre, museums, and long beach walks.

CONNECT:

https://www.MelissaStoller.com
https://www.MelissaStoller.com/blog
http://www.facebook.com/MelissaStoller
http://www.twitter.com/melissastoller
http://www.instagram.com/Melissa_Stoller
http://www.pinterest.com/melissa_Stoller

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2020 Picture Book Palooza Sneak Peek and Publishers List from Mira

10/5/2020

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Hi dear ones, we are cooking up a storm for you all with the upcoming Picture Book Palooza featuring over 28 now published former students and a group of editors and agents. This is the first time we are charging, but it's only $20 and is a fundraiser for our scholarships. Here's the info link: http://bit.ly/CBAPBPalooza for a quick peek. We would love for you to join us as it's going to be truly extraordinary and for a wonderful cause!!! Click here to join us and please share!!!
There will be 7 panels over two days focused on the following topics:
21st Century Nonfiction, Fiction From Life, Awesome Kidlit Community Resources, Writing for Social Justice, Concept Versus Fiction Books, Editors & Agents – What We Like and Why

Meanwhile, my assistant and I have just updated the Publisher's List that we share with students, and while it's not comprehensive, it's pretty good. So grateful that patience while formatting is one of my super powers. :) Also, be aware that things change on the drop of a dime on the internet so what's good today may not be good tomorrow. AND ... some of the big publishers have a ton of imprints that may not be listed here. I'll keep adding more over time.

Mira Reisberg Bio: Mira Reisberg PhD has worn just about every hat in the industry: award-winning author/illustrator, agent, kidlit university professor, editor and art director, and fearless director of the Children’s Book Academy. Her students have published over 500 books and won every major North American award. Mira is obsessed with creativity and helping others make wonderful children’s books. She lives in Portland, Oregon with her handsome husband and two quirky cats.

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See Your Story with Fresh Eyes (Without the Wait)

9/29/2020

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By Maggie Lauren Brown

When it comes to revision advice, you have likely heard that’s it’s a good idea to let your manuscript sit for awhile so you can come back to it with fresh eyes. Of course, this is true. But there are also strategies to help see your story in a new light without the waiting period. Many of these ideas are meant for picture books, but some can be used for longer novels as well.

First, make sure to read your story aloud. This will help you notice awkward wording, areas that drag, or unrealistic dialogue.

Have someone else read your story to you. It’s better if they haven’t read the story before, and even better if you can find a willing kid! You’ll hear areas that trip them up, or places that they read in a way you weren’t expecting.

If you can’t find anyone to help, Word documents can read your story to you. If you go to Review -> Read Aloud or use the shortcut Alt + Control + Space, Word will read your document aloud. Even a computerized voice can be enlightening!

Another strategy is using the Voice Memo app in your phone—record yourself reading your story and then listen to it back.

The next method is to switch up how you see your story. If you’re used to reading on a computer screen, print it out. You could even create a dummy to see where the text would be broken into page turns. Try switching up your font—you’d be surprised how small changes can help you notice things you haven’t before.

Next, try changing your environment. If you’re used to working in a home office, bring a copy of your story outside. What if you walk around while you read it? Even something as simple as changing rooms can change your perspective. If you’re used to working during the day, give nighttime a try.

The biggest take away here: switch it up! Shaking things up will help you see your work in new ways. Happy revising!

Maggie's Story:
Once upon a time, Maggie Lauren Brown performed as a synchronized swimmer, mermaid-for-hire, and high school English teacher. Now, she writes about her adventures in children’s books. Maggie is an SCBWI and 12x12 member, a Children's Book Academy course assistant, and is represented by Adria Goetz of Martin Literary Management. Maggie's debut picture book, JOY THE PANDACORN, releases next year with Clear Fork Publishing.

Connect:
www.MaggieLaurenBrown.com
www.twitter.com/ByMaggieBrown

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Two Creative Approaches to Storytelling

9/21/2020

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by Bryan Patrick Avery

There’s more than way to perform any particular magic trick. There must be at least 50 ways to vanish a coin, for instance. Why so many, you ask? One word: Creativity. Every magician brings their own skill, style, and sensibilities to the art. This leads to many variations on the same theme, but it also means the creation of new pieces of magical art that delight and inspire us.

The same can be said about writing. There are many ways to tell a story, and our individual approach to telling a story makes all the difference. This month, we’ll look at two creative approaches to storytelling that create a magical experience for the reader.

I’m a fan of all things Neil Gaiman but FORTUNATELY, THE MILK is one of my favorites. A brother and sister wait at the kitchen table as their father goes to the store to fetch milk for breakfast. He takes forever and, when he returns, the kids quiz him about why the trip took so long. What follows is the most entertaining, outlandish, and creative story.

The father explains his adventures (which include alien abduction, a stegosaurus inventor, piranhas, ponies, and time travel). The veracity of the father’s story may be called into question, but the quality of his story is not. What’s unique about this story (besides the rather odd cast of characters) is that, though kids will love it, a kid isn’t the main character. In fact, we scarcely hear from the kids as the father tells his tale, with the exception of a few interruptions along the way to ask clarifying questions. FORTUNATELY, THE MILK is an entertaining tale and a great example of storytelling (Neil’s and the father’s) at its best.

As a kid, I loved the CHOOSE YOUR OWN ADVENTURE books. I also loved mysteries and I confess to being more than just a little disappointed that I could never find any good mysteries where I controlled the action. Lauren Magaziner made my dreams come true with CASE CLOSED #1: MYSTERY AT THE MANSION. Carlos, his best friend Eliza, and her little brother Jack set out to solve a mystery in hopes of saving Carlos’ mother’s struggling detective agency.

The case? Figure out who is threatening a rich widow.
The challenge? The reader is in charge of the action.

You decide who to question, what to investigate, and who to accuse. Along the way, you encounter danger, find clues, and solve puzzles. Choose wisely and you just might solve the case. Choose wrong? Well, let’s just say I ended up as a human dog, got locked out of the client’s house, and ended up a sidekick to an evil villain before I finally made the right choices and solved the case. It was a blast, and this is a book that readers can come back to over and over again.

If, by chance, you make it through all the permutations, Lauren has two more books in the CASE CLOSED series, including the recently released CASE CLOSED: HAUNTING AT THE HOTEL. Though you might never write a book in this style, it is helpful to reflect on the level of detail that goes into creating a book where the narrative is in the hands of the reader. Simply thinking through your story in this level of detail can help you craft better stories.

Well that’s all for this month. Happy writing, stay safe, and have a magical month.

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